Six seasons of producing runway shows in New York, written down. What a show really costs, how many looks you need, when to start, and how to get on a runway this season without building a production company first.
New York Fashion Week happens twice a year, in February and September. The official CFDA calendar is curated and largely built around established houses. Around it sits a second, much larger week: independent shows, presentations, showrooms and runway festivals that emerging designers apply to directly.
That second week is where most brands make their debut. Press, buyers and creators move between both, and a well produced independent show gives a young label the same thing a calendar show does: a finished runway moment, professional imagery and a room of people who can write about it, stock it or wear it.
What separates a show that works from one that does not is rarely the venue. It is whether the collection was finished in time, whether the casting suited the clothes, and whether the designer had a plan for the content afterwards.
Booking your own venue, production crew, casting director, glam team, photographer and PR means carrying every line item yourself. Most emerging brands find this out of reach for a first season.
A produced runway slot inside our festival. Venue, staging, lighting, sound, run of show, model casting, hair, makeup, backstage dressers and your runway film are all included for up to 10 looks.
Sample production, shipping, steaming and repairs, shoes and accessories, and travel for you and your team. Plan these early so the collection is finished well before fittings.
A runway segment reads in about three to five minutes. Ten to fifteen looks fill that cleanly, which is why our standard slot covers up to 10 looks. Editors remember a tight lineup with one clear idea far longer than a long one that drifts.
Count one model per look unless you plan quick changes, and build a little slack into your sample schedule. Most of the stress on show day comes from garments that arrived the same week.
Start your application
Decide the season you are targeting and lock the concept. Apply early, since calendars fill long before the week itself.
Line sheet finalized, samples in production, slot confirmed and agreement signed.
Model casting and fittings, styling decisions, shoes and accessories sourced, press list built.
Final fittings, run of show, music and lineup locked. Invitations go out to your buyers and press contacts.
Rehearsal, backstage call time, you walk the finale and leave with your runway film and image set.
Looks should be sewn, fitted and camera ready, not still in muslin. Judges and buyers read finishing first.
A clear point of view across the lineup matters more than volume. Ten cohesive looks beat twenty scattered ones.
Samples that fit standard casting ranges give you far more model options and fewer last minute alterations.
A short brand bio, headshot, line sheet and pricing. Editors and buyers ask for these the same night.
Runway film and stills are the real asset. Decide in advance how you will use them for lookbooks, wholesale outreach and paid social.
The official CFDA calendar is curated, but a large part of the week is made up of independent shows, presentations and festivals that designers apply to directly. Our runway festival takes applications from any brand with a finished collection.
Producing a standalone show in Manhattan generally starts around $25,000 once venue, crew, casting, glam and photography are counted. A slot in our festival is $2,500 for up to 10 looks with $500 due at booking.
Ten to fifteen looks is a strong runway segment. We include up to 10 looks in a standard slot and can discuss more on your intro call.
Credentialed press, stylists, retail buyers and content creators sit front of house, with introductions to designers after the show.
The next PostUp NYC NYFW Runway Festival is February 13 and 14, 2027 in New York City. Applications are reviewed on a rolling basis.